You’ll want to be on headphones for this one.
Hysterical Literature: Session One: Stoya
Stoya visits the studio and reads from Necrophilia Variations by Supervert. Subtitles available (CC) in French and Brazilian Portuguese.
Stoya’s thoughts on the session.
Update: Supervert’s thoughts on the session.
See the the whole project here.
(Source: youtube.com)
Hysterical Literature: Session Two: Alicia
Alicia visits the studio and reads from “Leaves of Grass” by Walt Whitman. Subtitles available (CC) in French and Brazilian Portuguese.
Update: Hello Animal and Fleshbot and Richardson Magazine and Glamour Paris
See also: Session Three: Danielle
(Source: youtube.com)
“The black-and-white video begins with a woman sitting at a table with a book in front of her. She looks into the camera and states her name, the name of the book, and begins to read. It seems she’s overwhelmed by the words — there’s a slight twitch, a smirk, a straightening of the back, a desperate breath in — and she struggles to continue reading.”
Hysterical Literature: Session Three: Danielle
Danielle visits the studio and reads from “Still Life with Woodpecker” by Tom Robbins. Subtitles available (CC) in French.
Update: Hello Animal and Artinfo and Libération and Glamour Paris
Update: Danielle’s thoughts on the series, and on Artinfo’s article on it
See also: Session Four: Stormy
(Source: youtube.com)
“By getting hung up on the novelty, which Cubitt begs that you reconsider, Singer ignores the opportunity to investigate such ideas, and unknowingly says more about himself than the work at hand. By not addressing these other pivotal ingredients, one misses a large part of what makes these pieces so interesting.”
Hysterical Literature: Session Four: Stormy
Stormy visits the studio and reads from “American Psycho” by Bret Easton Ellis. Subtitles (CC) available in French.
Update: Hello Daily Dot and Reddit and Mole Empire and The Eye
(Source: youtube.com)
“But “Hysterical Literature” doesn’t feel particularly sexy—or, at least, not in any tried and true sense. In the first place, it’s essentially an endurance test; unlike in traditional smut, viewers may actually find themselves rooting for the subject to rein in her passion (at least until the end of the paragraph). Indeed, if these videos can be termed pornographic, then at the very least, they are fascinatingly so: From the sub-desk manipulations to the videos’ guise of literariness, everything remotely sexual is intentionally obscured.
So, is “Hysterical Literature” obscene? Or is it humorous? Perhaps obscenely humorous—even, say, “hysterical?” The Supreme Court once famously ruled that we’ll know pornography when we see it—but after watching these videos, I honestly can’t be sure. What I can say is, they’re entertaining—and perhaps even educational: not only are the books themselves well worth a read, but also, sexual politics in this country being what they are, it’s likely not everyone has seen (or had) a legitimate girlgasm. Plus, for all us logophiles, watching ladies appear to lose themselves merely through the fervor of ecstatic prose is at least tongue-in-cheek amusing, if not actually a little hot.”
Hysterical Literature: Session Five: Teresa
Teresa visits the studio and reads from “Sexing the Cherry” by Jeanette Winterson. Subtitles (CC) available in French.
Update: Hello Daily Dot and Autostraddle and Reddit and Focus.de
(Source: youtube.com)
“At one point she interrupts her narration with a polite, “Excuse me.” At others she pulls herself together with a concerted effort to continue reading before finally giving in after the line, “There is no earthly power but Satan.”
Hysterical Literature: Sandy Relief
Support the Hysterical Literature project and benefit survivors of Hurricane Sandy at the same time. Visit the link and donate using the Tip Jar button. 50% of proceeds go to Hurricane Sandy relief, directly to groups on the ground in the effected areas. (if you reblog this, please include a link to the Vimeo video page so people can donate. Thanks!)
Amanda visits the studio and reads from “The Tempest” by William Shakespeare. Directed by Clayton Cubitt. Background visuals by Volkan Ergen.
Update: On the aesthetics of Hysterical Literature: Sandy
(Source: vimeo.com)
Hysterical Literature: Session Six: Solé
Solé visits the studio and reads from “Beloved” by Toni Morrison. Directed by Clayton Cubitt. Subtitles (CC) available in French.
Update: Solé wrote down her thoughts about the experience, and her fears and motivations here.
(Source: youtube.com)
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