On the coming reality of stills sourced from video
Clayton Cubitt: I think photography is moving towards seamlessness. The future of photography won’t be about capturing a decisive moment by timing a shot perfectly. Cameras will capture everything – thirty or sixty frames per second. Then you choose. Like a DVR for life.
Tokion Magazine: Doesn’t that sound like cheating?
Clayton Cubitt: If you think a photographer’s creativity comes from their shutter finger, then it’s cheating. But if you think the creativity comes from the setup, the perspective, from the editing and the craft, then I think it’s no big deal.
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