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Trying to look good limits my life. Stefan Sagmeister
Stephan Doitschinoff, aka Calma, ‘Ars Moriendi’ 2008 (re This Isn’t Happiness)
See also: ”Ars moriendi (“The Art of Dying”) is the name of two related Latin texts dating from about 1415 and 1450 which offer advice on the protocols and procedures of a good death, explaining how to “die well” according to Christian precepts of the late Middle Ages. It was written within the historical context of the effects of the macabre horrors of the Black Death 60 years earlier and consequent social upheavals of the 15th century. It was very popular, translated into most West European languages, and was the first in a western literary tradition of guides to death and dying.”
See previously: Calma (Stephan Doitschinoff), ‘The Annunciaton’, 2005
And also: Ad Astra at the Calma show

Stephan Doitschinoff, aka Calma, ‘Ars Moriendi’ 2008 (re This Isn’t Happiness)

See also: ”Ars moriendi (“The Art of Dying”) is the name of two related Latin texts dating from about 1415 and 1450 which offer advice on the protocols and procedures of a good death, explaining how to “die well” according to Christian precepts of the late Middle Ages. It was written within the historical context of the effects of the macabre horrors of the Black Death 60 years earlier and consequent social upheavals of the 15th century. It was very popular, translated into most West European languages, and was the first in a western literary tradition of guides to death and dying.”

See previously: Calma (Stephan Doitschinoff), ‘The Annunciaton’, 2005

And also: Ad Astra at the Calma show

Will Blanche, ‘The Newly Constructed Towers of the World Trade Center Seen From the South Side on West Street, May, 1973’ (via These Americans)
See also: Mitch Epstein, ‘West Side Highway, New York City’ [looking towards World Trade Center] 1977

Will Blanche, ‘The Newly Constructed Towers of the World Trade Center Seen From the South Side on West Street, May, 1973’ (via These Americans)

See also: Mitch Epstein, ‘West Side Highway, New York City’ [looking towards World Trade Center] 1977

John Dickie, gold and silver Versace-logo-encrusted Mexican druglord pistol, Mexico City, via Planet Magazine
See also: the guns from ‘Romeo and Juliet’

John Dickie, gold and silver Versace-logo-encrusted Mexican druglord pistol, Mexico City, via Planet Magazine

See also: the guns from ‘Romeo and Juliet’

Charlotte Gainsbourg music video, ‘Heaven Can Wait’ featuring Beck, directed by Keith Schofield, making liberal reference to the work of William Hundley, specifically his ‘Entoptic Phenomena’ (previously) and ‘With Cheeseburgers’ series. (see image above, top row images Hundley originals, bottom row screen grabs from the Gainsbourg video.)
Click image for Antville discussion on the “homage.” Hundley was evidently unaware of the usage, and not pleased.
Schofield on his “working process”:
“I basically have this huge folder of all these found photos and when I get a song in, I’ll play the track and I’ll look through these pictures and see if any thing sticks,” he says. “I’ll be reading something randomly and see a funny picture and throw it in the folder. The whole thing with found photos is that they’re funny because there’s no context to them. You look at a funny picture and go, ‘what’s the scene about?’ And you draw your own conclusions.”
See also: the definition of “found photo”
Also also: Google Muthafucka! Do you use it!?
And also: Mr. Schofield might also find TinEye useful
And lastly: A Note To Young Art Directors and The Photographers That Work With Them

Charlotte Gainsbourg music video, ‘Heaven Can Wait’ featuring Beck, directed by Keith Schofield, making liberal reference to the work of William Hundley, specifically his ‘Entoptic Phenomena’ (previously) and ‘With Cheeseburgers’ series. (see image above, top row images Hundley originals, bottom row screen grabs from the Gainsbourg video.)

Click image for Antville discussion on the “homage.” Hundley was evidently unaware of the usage, and not pleased.

Schofield on his “working process”:

“I basically have this huge folder of all these found photos and when I get a song in, I’ll play the track and I’ll look through these pictures and see if any thing sticks,” he says. “I’ll be reading something randomly and see a funny picture and throw it in the folder. The whole thing with found photos is that they’re funny because there’s no context to them. You look at a funny picture and go, ‘what’s the scene about?’ And you draw your own conclusions.”

See also: the definition of “found photo”

Also also: Google Muthafucka! Do you use it!?

And also: Mr. Schofield might also find TinEye useful

And lastly: A Note To Young Art Directors and The Photographers That Work With Them

Abandoned taxi on fire, Manhattan, 2002

Abandoned taxi on fire, Manhattan, 2002

Cracked crosswalk guides and manhole cover, Brooklyn
See also: Tire treads in fresh snow, Brooklyn

Cracked crosswalk guides and manhole cover, Brooklyn

See also: Tire treads in fresh snow, Brooklyn

Hey hey, you know I’ve met a lot of cool chicks. But I’ve never met a girl with all her own teeth. That’s why I love you babe, that’s why we could be… But you’re too young, too young, for me. New Order, ‘Fine Time’
You never know what is enough unless you know what is more than enough. William Blake
Walton Ford, ‘Sensations of an Infant Heart’ 1999 (detail)
“When John James Audubon was a young boy, his stepmother’s pet monkey strangled Audubon’s favorite pet parrot. The monkey was kept chained after the incident. Later Audubon would write that the “sensations of my infant heart at this cruel sight were agony to me” and that the painful memory may have been one of the reasons he painted birds.”

Walton Ford, ‘Sensations of an Infant Heart’ 1999 (detail)

“When John James Audubon was a young boy, his stepmother’s pet monkey strangled Audubon’s favorite pet parrot. The monkey was kept chained after the incident. Later Audubon would write that the “sensations of my infant heart at this cruel sight were agony to me” and that the painful memory may have been one of the reasons he painted birds.”